Thursday, November 1, 2012

Satish Kaushik on Jaane Bhi Do Yaaron which reopens Tomorrow

Jaane Bhi Do Yaaron (JBDY) played a major role in steering my career in films and I feel very proud to be associated with this cult classic of Hindi cinema. I remember I came back to Delhi after finishing Shekhar Kapur's debut film Masoom from Nainital and before coming to Bombay I went to visit Ranjit Kapoor who was a top notch theatre director. 

I met Kundan Shah at his house. He had come to sign Ranjit as a dialogue writer of JBDY. I had known Kundan because I had done my first film Chakra in which he was Chief AD also. The three of us were chatting when suddenly out of nowhere Ranjit told Kundan, 'Since you are making a mad comedy I'd like to have Satish as my co-writer. ' I was shocked. 

Ranjit convinced Kundan that I have a great comic sense and timing and will be a great help in writing a film. And that's how my career as a writer started though I had never written before. We wrote the entire film in Kundan's house in Sion and slept there. Sometimes we were woken up by his little cute daughter lisping. 

"Uncle Utho.. Likho". Everyday we'd take up a scene from the screenplay and start performing and improvising it in the room and record everything and bring it to paper as per Kundan's liking. Ranjit and I both used our theatre experience in moulding the dialogue and script of JBDY. 

It took us ten days to write the Mahabharata sequence because in the screenplay it was just mentioned that they all get into a theatre in which some drama is being performed and chaos ensues. But which drama? ? ? We all got stuck because whatever play we thought of it was not bringing humour. 
We took a break and for ten days we could not construct the scene. But one day while I was walking in the market in Santacruz I saw cheap colourful comics of Laila Majnu, Shirin-Farhad, Mughal-e-Azam, and from there idea struck that in the climax there should be mix-up of characters.

That is how the extraordinarily hilarious climax came on paper. I was not part of actors' repertoire of JBDY. But while writing everyday I used to wonder for which role I should forward my name to Kundan through Ranjit. Naseer and Ravi were already finalised. To my luck when we were improvising the mad telephone receiver exchanging scene I performed the role of Tarneja's assistant Ashok. 

That turned out to be a very funny scene. Ashok's role was not finalised. Kundan said, "Yaar, teri kya timing thi is scene mein. Par aise timing kaun actor kar sakta hai? " 

Ranjit immediately jumped in my favour. Kundan agreed reluctantly So from Rs 3000 remuneration for dialogues my total remuneration went up to Rs 5000. Rs 2000 for acting. We used to get 10 rupees per day for conveyance. But the kind of fun we had while making the film was reward enough. 

Working with Kundan was great because he himself had a great sense of comedy. It was very difficult for me to make him happy as a writer and actor too. He never show showed his pleasure. He had tremendous unchannelized energy at the time of making of the film and he injected that energy into his actors. He'd push everyone to give his best to the film.

Vinod Chopra playing a role in the climactic Mahabharat scene was hilarious JBDY had a romantic track among Ravi Baswani, Nena Gupta and me. But it got chopped off because of the film's length. The premiere of JBDY was no less a fun. We had no passes. Kundan charged money from us for tickets for the premiere.

This must be the only premiere where actors had to pay from their pocket to watch their own film. After the film there was no party. I walked down to the station to get back home and had dinner at a dhaba. We could not celebrate at that time. But till today JBDY is celebrated. I' m proud to be part of it.
read more...

Rajinikanth's Sivaji The Boss now in 3D


If Hollywood can transform its iconic film 'Titanic" into 3D and give it a new look, how can Bollywood lag behind. Now Prasad Lab is converting Rajnikanth starrer "Sivaji- The Boss' into 3D. Prasad Lab is the forefront of 3D movie making, DI and VFX in India.

Recent 3D films including Raaz 3, Dangerous Ishq, and Haunted have all been post produced at Prasad Group's state of the art studio in Mumbai.

Sivaji-The Boss'' is the first film of India which is is being converted from 2D to 3D. And the chairman of Prasad Lab Shri Ramesh Prasad is very happy for it."It is really great news that the world is moving towards 3D.

People love to watch action film in 3D as it gives them thrill and chill."Sivaji'' has all the ingredients to make it an out and out entertaining film in 3D.We have seen the some portion of this film's 3D version and we all are very happy with the final result.

I am sure with the release of this film many more action films will be converted into 3D''. He says. Recently, The film had it's Trailer Launched in 3D where superstar Rajnikanth personally unveiled it's 3D First Look.

Director Remo Fernandes is now making film "ABCD'' into 3D and all the technical support for 3D is being provided by Prasad Lab. 3D wave has arrived in India and the credit for this must go to Prasad Group.
read more...

Irrfan plans to venture into production


After making his mark in Bollywood and getting a taste of Hollywood, versatile actor Irrfan now plans to venture into production.

"I don't think I am ready for direction. With production if the need arises, if somebody is interested, then definitely I would like to produce films with a story which I am convinced with, " Irrfan told.

The actor has been part of many critically acclaimed Hindi films like "Yeh Saali Zindagi", "Maqbool" and "Paan Singh Tomar", and he was seen in Hollywood films like "Slumdog Millionaire" and "The Amazing Spider-Man".

He knows his production target well.

"I would like to produce films which the audience is eager to watch today, with a new way of storytelling. I'm very clear that people come to cinema for an emotional experience. Our audience will never be ready to see a film which an audience in Britain watches, or a film which is dark or depressing, " he said.

Having done commercial as well as art cinema, Irrfan says he knows what clicks with the Indian audience.

"I know art audience is an emotional audience and they want to connect emotionally. So, you have to engage the audience emotionally. I would like to do a subject like that which is also rooted, like in 'Saheb Biwi Aur Gangster'."

Meanwhile, Irrfan is now gearing up for "Life Of Pi", directed by Oscar-winning filmmaker Ang Lee. During the promotion of "The Amazing Spider-Man", he didn't brag too much about his part, and he had his reasons.

"I don't believe in making empty noise I don't want to feel embarrassed. I want to be sure that this film has my contribution, there is something that I should speak about. If you have not played a major role in a film's success, then what's the point talking about it, " said the 45-year-old.

"For 'The Namesake', I can say that's my film, I can talk about it. But for 'The Amazing Spider-Man', I was not sure about how much role I have, whether I should talk about it. I don't want to cheat my fans, I don't want to give a wrong impression. I like to talk a film when I am sure about it, " he added.
read more...

Gulzar conferred Indira Gandhi award


Congress president Sonia Gandhi Wednesday awarded the Indira Gandhi National Integration Award to well-known poet, lyricist and film director Gulzar.

The award was given to mark the 28th death anniversary of the late prime minister, who was assassinated Oct 31, 1984.

"Gulzar saheb is a great personality who is spreading the message of peace and brotherhood in the country, " Prime Minister Manmohan Singh said while congratulating the poet for the award.

Gulzar has penned thought-provoking lyrics for songs like "Raah pe rehte hain", "Do deewaane shehar mein", "Hazaar raahen mud ke dekhi", "Tujhse naraaz nahin zindagi" and "Mera kuchh saamaan". He has been versatile and also spun his magic in new age songs like "Kajra re" and "Beedi jalaile".

He has used his poetic talent for late filmmaker Yash Chopra's "Jab Tak Hai Jaan" as well.

Praising the artist, the prime minister said: "Gulzar saheb is a rare talent. He writes poetry, stories, film scripts, directs films and also writes lyrics for them. Besides Hindi and Urdu, he writes in local dialects like Brajbhasha, Haryanvi and Marwari."

"Whether it is a serious issue or entertainment for children, the stories, poems and films of Gulzar saheb touch our hearts. He has been entertaining us through his art for over five decades, " he said.

Talking about the larger issues concerning the country, the prime minister said: "On this day, we should think seriously how we can contribute to nation-building."

Referring to the incidents of communal violence in Assam and exodus of people from northeast from some parts of the country in July, the Prime Minister said the forces out to divide the country are still active.
read more...

Sanjay Puran Singh Chauhan's next


Director Sanjay Puran Singh Chauhan is starting the shoot of his second film in a fortnight across western India.

The film has Sejal Shah as the cinematographer, Kesto Mondal as the Production Designer, Jesh Krishnamurthy from Anibrain VFX looking after the special effects, Mike Stringer comes in for the hybrid special makeup.

Senior technicians like Wayne Sharpe and Tevfik Akbasli have also been roped in for the background score. The film is A Laurus Creative World Production in association with Blue Water Motion Pictures.

Chauhan has earlier made the award winning film Lahore which also bagged him the national award for the Best First Film by a director.

The cast of the film have been kept under wraps for the moment. Chauhan is also keeping the title of the film under wraps for reason well known to him.
read more...

Hollywood currently lacks freshness: Ang Lee

Academy Award winning director Ang Lee explains why the West is finally looking towards the East for novel ideas

For someone who has made films like Crouching Tiger, Hidden Dragon, Hulk and Lust, Caution, Ang Lee comes across as nothing less than a monk. His voice is essentially low but clear and his thoughts are enlightening. In Mumbai for the promotions of his film based on Yann Martel's Life of Pi, the Oscar-winning director shared his views on cinema, influences, Irrfan and lot more.

What's your motivation behind making films?
This is the only thing I ever wanted to do. In fact, the only thing I'm good at! To me, filmmaking started off with curiosity and gradually moved towards ambition and as of today, it's about sharing a story with others. Or should I say, sharing an illusion.

Speaking of illusions, what was the toughest part about your forthcoming film?
To maintain that illusion for a long period of time... because we dealt with water, 3D and lots of other technical details on a large scale while making this specific movie. And it wasn't going to be an easy ride and I didn't know what I was getting myself into (laughs). Perhaps that's the beauty of cinema.

Your film deals with faith too. Do you believe in God?
I don't know for sure but I'm certainly not religious. We humans have this void in us, which we try to manifest through some external elements. It could be anything. In this story too, Pi encounters several circumstances where he understands the innate relationship between faith, nature and God.
The Taiwanese claim you as their own, the Chinese and the Americans do the same. Who do you claim to be?
(Pauses) I'll be safe here and go with my passport. It says Taiwan-Communist Republic of China! (Laughs again) I grew up in Taiwan and stayed there till I was 23. Today I'm based in New York and people who once saw me as an Asian Indie filmmaker are warming up and calling me an American director.

Who are the filmmakers who inspire you?
I'm hugely influenced by post-War Italian cinema and you can see that in my work. When it comes to vision, I look up to Stanley Kubrick. I go with Billy Wilder for comedy, Ingmar Bergman for philosophy and Alfred Hitchcock for perverse topic. There are so many of them.

How was Irrfan to direct?
He's a very peculiar actor and definitely one of the finest. Interestingly, he sometimes finds simple things difficult, which others might find easier to enact. For instance, narration of scripts... On the other hand, he emotes expressions with such ease and command something others would find difficult.
Why do you think Hollywood is looking elsewhere for material?
It currently lacks freshness in a way. That explains why remakes and repetitive franchise sequels are being made. Earlier, Hollywood used to look towards Europe. Now it's exploring other parts of the world.

Have you forgiven the Academy for overlooking Brokeback Mountain?
(Laughs) All I can say is I've moved on in life. Of course, when you're at the Oscars, you want your film to win the Best Picture Award but then awards are not just statuette because they represent something more. They represent moments.
read more...