“For the first time in Indian cinema, Bipasha uttered the words, “the body doesn’t know love, it only knows lust.” Then we had Mallika in Murder who sleeps with another man and returns to her marriage only because her affair isn’t working out. She has an intensely fulfilling sexual extra-marital relationship and feels no guilt. This is the post modern Indian woman.
“The India in which we were groomed, was shackled to certain beliefs. In the cinema made by our predecessors — Raj Kapoor and Raj Khosla — we were invariably shown that good people fell in love while bad people had sex.
“For me, the eye-opener came when I saw Jism in Delhi and found 70 per cent of the audience comprised of rich women. It was not just being viewed by sex-hungry frontbenchers but also by an evolved upmarket audience. “Raaz was simply the precursor. With Murder 2, women have gone one step further. Jacqueline is a different animal from Mallika and Bipasha. While they sinned with their eyes open but still yearned to conform towards the end; for Murder 2’s Jackie, sex is even more casual. For her sex is like an expression. She does it as casually as she would inhale or exhale. That is what it is.” The film releases worldwide on July 8.
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